Monday, September 27, 2021

3D Art Week 05 - The Crate Part 1

 

A mysterious crate appears!

This was the initial pass of my sci fi crate project, opted for a chrome look in this first render to really accentuate the sci fi design. 



This is the low poly proxy model I came up with initially


And this is the reference I am using



Thursday, September 16, 2021

Common Art Week 03: Use Of Value And Contrast


We learned in this week a professional workflow in adding value and contrast to lineart. It was something I absolutely was wanting to learn so I think it will elevate my own art. I also experimented with adding a color layer to the values which gave me a very classic marvel look




 

Monday, September 13, 2021

3D Art Week 03 - Hierarchy's In Maya Intro To UE

 





This week we focused on organizing our Hierarchies within Maya as well as importing elements into the Unreal Engine 5. Hierarchies can be used to make simple animation without the use of a rig which can be ideal for demonstration purposes.



Unreal offers a wealth of post processing and lighting effects that can easily create dynamic shots.








Finally we started designing an abstract landscape to be later brought into and animated in unreal. 



Overall I feel that I am growing more comfortable with box modeling which has lead to me experimenting with low poly character modeling for our upcoming Rapid Prototype. (It's intentionally aping the classic playstation look)





Thursday, September 9, 2021

Common Art Week 02 - Use of Silhouettes

 



For this week we had to redesign a character in a new setting. I chose David from the bible to put in a Sci Fi setting

Saturday, September 4, 2021

3D Art Week 02 - Basics Of Topology

 This lecture composed of the building blocks of topology in Maya. I've been using the program for a few years now so some of this intro segment was a crash refresher course on Box modeling fundamentals. That being said, I had no idea about a few of the little tricks Nick showed us, specifically the way you could 'flatten' a model by altering whether or not it retained the component spacing while moved or the Special Duplicate tool which creates an exponential change over a series of duplicated objects. Something like this I'd have duplicated and changed by hand over and over getting an inconsistent result previously so it's very cool to learn!


Scorpion tail go 'Brr'

With the following example I got a better understanding of how smooth mesh preview can be used to create more organic shapes out of hard surfaces, the transfer attributes tool was also something I had no idea existed and it seems like it could end up being a powerful tool

It's power has multiplied

Learning about the Soft Mod Fall Off seems like a great way to get more organic modeling in maya, something I struggled with in the past. Playing around with it and the extrude tool has let me create a very rudimentary face quickly

He's a handsome gent

The edge loop tool and mirror geometry are old friends I've used in my maya tool kit for a while. Yet I never used them to preserve the edges in a smoothed object before. 


Do a kickflip!



We then discussed the uses of beveling, fencing and creasing models and how they can be done. It was all interesting stuff but unfortunately maya crashed while doing it, so I had to start back over

CTRL S is your friend

Following that, the paneling stuff shown seemed like it could be really fun to use for sci fi or mechanical models to give them a sleek look.

I still don't really quite understand material editing but having the HDRI reflected in the model absolutely gives it a more polished look.


We then fiddled with more advanced techniques to sort of build a car mesh (or at least the start of one.) It was pretty easy to get carried away and start getting a bit more creative with the detailing 
*Mute City Intensifies*

NURBs definitely feel like a deceptively simple tool, it's really amazing what sort of unique shapes you can get from messing with them and some deformers


Putting it all together (after messing with Nick's initial model) ended up with this fella. I decided to name him Zipper (You can see the other robots beside him for comparison)


He's shaped like a friend




 

Common Art III Final Sprint

 For this final sprint I mostly worked with Parker to address the sliding issues with the pokemon which lead to the creation of this final a...